The Neolithic period in Orkney produced two distinct styles
of pottery - Unstan Ware and Grooved Ware.
One
of the most intriguing, and hotly debated, questions regarding Neolithic Orkney
is the relationship between the two pottery styles.
Unstan Ware takes its name
from the stalled cairn of Unstan, in Stenness,
where copious quantities of the distinct pottery style were found during its excavation
in 1858.
Shallow, round-bottomed,
and with band of decoration around the rim, Unstan Ware came to be associated with the
early Neolithic structures, and stalled cairns, in Orkney, such as the Knap
o' Howar.
Grooved Ware, however, with
its flat bottom and intricate decoration of scored grooves, was more common in
the larger, and more recent, settlements, such as Skara
Brae and Barnhouse. The Grooved Ware people
buried their dead in increasingly larger, and more monumental, cairns such as Maeshowe.
The distribution of the
two pottery styles fits with the idea that the Neolithic was split into an early
and later stage. It appears that as Unstan Ware, and the stalled cairns, of the
early stage fell out of fashion, they were replaced, as society changed and new
ideas were adopted in the islands.
Others contend that
the different styles were due to regional differences, with one group, or "tribe",
favouring Unstan Ware, the others producing Grooved Ware.
However,
archaeological evidence in Orkney - Pool, in Sanday, in particular - seems to
indicate that the two pottery styles are simply indicative of a change in fashion
over time. At the Pool settlement, the inhabitants were using both Grooved Ware and Unstan Ware. An emerging elite?
It
has been suggested that Grooved Ware represented an emerging elite within Neolithic
society - an elite that was becoming more dominant.
At Toftsness, in Sanday, for example, it would appear that the Neolithic inhabitants of the settlement did not use Grooved Ware pottery - something that led to the suggestion that this reflects a lack of "status", compared with the nearby settlement at Pool.
This
idea ties in with the increasing complexity of the architecture, and the grandness
of scale of cairns such as Maeshowe. The
increased labour required to build Maeshowe is not proportional to the number
of bodies housed within the tomb. In other words, Maeshowe was built by a large
number of people, labouring longer but for the benefit of a few. This
appears to indicate a situation where an individual, or small group of people,
had the power to command and control the labour of others. Whether these were
tribal chiefs or some other form of social or religious elite remains unknown.
What can be seen, however, that where once the smaller
communal tombs housed the ancestors of the tribe, by the time of Maeshowe, and
similar cairns, the structure had begun to represent a structure reserved for
a privileged elite. |